A generation of lauded directors is MIA in Hollywood.

In an industry driven by buzz, heat, youth and momentum, many talented studio helmers now find themselves on the outside looking in.

While directors such as Lawrence Kasdan (Grand Canyon), Joe Dante (Gremlins), Phil Kaufman (The Right Stuff) and Jim McBride (The Big Easy) were once reliable makers of modest studio hits, enjoying both popular and critical success, they’re rarely tapped for new film projects. And they often hit a brick wall in trying to mount their own passion projects.

The heart of the problem is Hollywood’s “What have you done for me lately?” mindset.

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The sharp growth in online video viewing, increasing availability of TV online, and proliferation of high-quality, web-originated content has made it easy to point the arrow for online video advertising up and to the right. But while video will probably continue to be a bright spot of growth in a dull economy, that’s mostly because it’s just getting started. The reality is revenues will be close to nothing for a long time, and the growing number of tech entrepreneurs and creative types in the space should probably be worried that industry watchers are now cutting their expectations for growth in online video revenues based on factors other than the shaky U.S. economy.

eMarketer, which has been putting out good research on online video recently, back in August chopped its estimate for 2008 U.S. video ad revenue by more than half, to $505 million from $1.3 billion. That’s a pretty significant downgrade more than halfway into the year, though eMarketer warned it was “more a change of methodology than of perspective.” But even with the methodology revision, eMarketer is forecasting growth to start declining after 2012.

In a market in which CPMs (cost per thousand impressions) for very similar ad formats can range from $10 to $100 depending on where they’re shown, it’s worth trying to pin down the factors affecting video advertising pricing. Everybody agrees that prices for video formats such as in-stream ads and overlays will stay at a premium vs. banner ads, but it’s not yet clear where rates will settle.