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Director: D. Kohl Glass Bulletin: AWARD-WINNING SHORT Genre: Drama Short Availability: Buy it on iTunes Tagline: In search of a worthy opponent, a German WWI ace accepts the challenge of a mysterious and seemingly invincible American pilot — only to discover the true price of honor. WATCH TRAILER NOW! DOWNLOAD "DER OSTWIND" NOW AT
Running time: 10 mins 45 secs Year of Release: 2007 Festival releases Visual Format: Color, Live Action/Animation Technical: HDCam, Digital Betacam, SP Betacam, DVD Language: German and English Subtitles: English Country(s) of Origin: United States Writer: D. Kohl Glass Director of Animation: Rob Au Producers: Rob Au, Christina Lyon Cline,Will Haydt, Kimball Maw, D. Kohl Glass IMDB: http://www.imdb.com/title/tt0914815/ Website: www.derostwind.com
About "Der Ostwind"
The BYU student film, Der Ostwind, was shown in the short film category at the 2007 Sundance Film Festival and has screened at several festival venues since January 19, 2007. More than 60 BYU film and animation students worked on the project over the past five years. The 11-minute effects film” combines live action and animation in a unique cinematic style reminiscent of vintage black and hite silent films. It’s visually very interesting,” says writer/producer/director Kohl Glass. “You don’t usually see a short film ith this kind of imagery.” In the film, a German World War I ace, known as Der Ostwind or The East Wind, searches for a worthy opponent in the skies and meets up with a mysterious and seemingly invincible American pilot. Except for he actors, the entire film is computer generated. Glass says the task of artistically combining live action and animation was a difficult challenge and a learning experience for the students. “I knew we were going to be pushing it, that we were going to be working against some of the big problems that re inherent when you combine computer animation and live action,” says Glass. With director of animation Rob Au and his team, Glass has created a unique film that is garnering attention from film festivals across the country. It recently was recognized as Best Action/Adventure film at the 2006 Comic-Con International Independent Film Festival and was a finalist in the Angelus Student Film Festival 2006. For Glass, completing the film and being accepted at Sundance, is the culmination of five years’ work. After graduating from the BYU film program in 2003, he directed the project from his home in Mesa, Arizona, while Provo-based group of students worked to complete the animation and other elements. Receiving direction by phone calls, emails and videoed instruction,” the team completed the project in 2006. Other members of the production crew include Producers Christina Cline, Will Haydt, and Kimball Maw, Director of Photography Travis Cline, and Executive Producers Kelly Loosli, Thomas Lefler, Darl Larsen, and rent Adams. (text from film's press kit)  D. Kohl Glass Director’s Notes: How to Make a Der Ostwind by D. Kohl Glass
Take a year and a half off from Brigham Young University to get married and let your wife finish her studies in linguistics at ASU.
During that time, decide to make a traditionally animated short film inspired by a lifelong love of aviation, a budding interest in Teutonic aristocrats in WWI, and a commonly shared fascination with monkeys.
Write Der Ostwind, a bizarre short film about a German WWI Ace searching for a worthy opponent only to discover the horrible truth . . . it’s a chimpanzee.
Switch from making Der Ostwind with hand drawn planes to computer generated planes.
After some preliminary designs and rough animation, discover that the feat of making an animated WWI short is too daunting to do alone and shelve the project for a couple years.
Return to BYU, pitch the idea to the animation program there and get turned down.
Make The Promethean, a live action short film about the myth of Prometheus. This will open doors for Der Ostwind.
Present the script for Der Ostwind in a beginning screenwriting class to learn that people feel betrayed by the monkey ending and want to hurt you for it. The beginning is too serious; the ending is too goofy.
Here you have two choices. Either make the beginning match the ending or the ending match the beginning. Choose the latter.
Write a new serious ending that people like much better, so much so that screenwriting instructor Darl Larsen will take the project back to the BYU Animation Program and recruit Animation faculty Kelly Loosli to mentor the project.
Take Kelly’s suggestion to film live actors and composite them with computer generated planes and backgrounds then rotoscope to make the appearance of traditional animation.
With the help of Thomas Lefler, get funding through various grants.
Film Patrick Rosier, actor, dressed as both German WWI ace, Wolfgang von Kellermann, and The American, in front of a green screen.
Begin pre-viz and preliminary animation with animator Rob Field.
After exhaustive search, record Kelly’s childhood soccer coach and Swiss born voice actor/translator Alex Schmalz as the voice of Wolfgang von Kellermann.
Let Rob Field convince you not to rotoscope but to make Der Ostwind a live action effects film.
Graduate from BYU in late 2003 and agree to always use students on the production of Der Ostwind in exchange for being able to continue to direct the film. This agreement will cost you three producers since they keep graduating.
Find Rob Au modeling a WWII fighter plane in computer lab. Ask him if he likes airplanes and if he would like to work on an airplane film. When he says “yes” to both, turn over all animation, compositing and effects to him.
Move from Utah to Arizona to teach filmmaking at Mesa Community College but after two semesters discover you really aren’t cut out for teaching. With Rob Au, decide to up the quality of the computer generated images and start the modeling and animation over from the beginning.
Direct production through phone calls, emails and videoed instruction, as Rob Au animates and renders shots and trouble shoots technical difficulties (This step may take between two and three years).
Fight the feeling of desperate blindness as things go on completely outside of your immediate control and in another state.
Edit in shots as they are finished and mailed to you. Do reshoots with Patrick and additional actors. Re-record additional voice over with Alex.
Lock edit and begin music and sound which will require a number of trips back up to Utah. Wonder if the monkey ending should ever be mentioned again.
Decide with music composer Angus McKay to use digital sampling for the score only to discover that the horn section isn’t convincing enough.
Hire trombone and trumpet players to record for an hour.
Assemble a choir from friends and family to sing for soundtrack.
Lock sound and picture on Der Ostwind in July 2006 a week and a half before your wife has a much need kidney transplant. Joyous occasions both. Cast and Crew A Brigham Young University Animation and Theater & Media Arts Production Cast Wolfgang von Kellermann Patrick Rosier Old Wolfgang von Kellermann (voice) Alex Schmalz The American Patrick Rosier Other German Pilots David Geist Taylor Cline
Written and Directed by D. Kohl Glass Director of Animation Rob Au Producers Rob Au Christina Lyon Cline Will Haydt Kimball Maw D. Kohl Glass Executive Producers Kelly Loosli Tom Lefler Brent Adams Darl Larsen Director of Photography Travis Cline Music Composer Angus McKay Music Engineer Marcus Howard Assistant Producers Dane Cannon Chris Glass ANIMATION Visual Effects Supervisor Rob Au Animation Previsualization Director Rob Field Technical Directors Shaun Graham Eric Hochhalter Rob Au Animation Production Assistants Ben “Cousin” Porter Kamy Leach Animation Lead Rob Au Animators Shaun Graham Kevin Leinbach Jared Cardon Rob Allen Modeling Lead Mark Christensen Modelers Rob Au Kevin Leinbach Jared Cardon Zeppelin Modeler David Gurrea Texture Artists Emma Weyerman Shaun Graham Nic Leach Kamy Leach Mark Christensen Rob Au Effects Artist Rob Au Shaun Graham Cloth Rob Allen Senior Compositor Rob Au Compositing Assistants Kamy Leach Russell Loy Ben Porter Renderman Render Lead Rob Au Maya Render Lead Ben Porter Render Wranglers Keanan Cantrell Emron Grover John Pettingale Kamy Leach Russell Loyd Shaun Graham FILM CREW 1st Assistant Director Tim Skousen Camera Operator Ty Arnold Camera Assistant Ryan Cannon Julian Acosta Gaffer Mark Noakes Second Unit DP Cole Webley Special Effects Clark Edmunds Special Effects Assistant Justin Partridge Key Grip Todd Hamilton Best Boy Dave Axelgard Post Sound Karl Rosengren Foley Artist Ryan Purcell Script Supervisor Ryan Farrington Cockpit Construction Jason Yancey Doug Ellis Prop Master Diane Rane Make-up Artist Sarah Locke Katherine Lund Costume Rachel Margetts Christina Cline Production Assistant David Geist Casting Director Chris Glass German Translation Globalization Group Alex Schmalz Patricia Nass Craft Services Charlotte Wanberg IT Support Joshua Matthews Evan Anderson Concept Artist Jake Parker After Effects Todd Hamilton Editor D. Kohl Glass
Der Ostwind Choir Stephanie Wade Kristy Stapley Chris Stapley Ted Sowards Caleb Shoemaker Angus McKay Amy McKay Truly Huish Amelia Huish Jon Harris Denise Harris Marshall Glass Chris Glass Trumpets Patrick Smith Brian Stoneberger Trombones Bill Foy Jeff Martin
Special Thanks
Ira and Mary Lou Fulton Lissa, Robbie and Lauren Chris Glass Robert and Judy Au Laycock Center for Creative Collaboration in the Arts Student Film Association CFAC Oscarson Grant The BYU Media Arts Faculty David and Peggy Glass Ivan and Truly Huish CAEDM Doug Rigby Pixar Rob Field Sandman Studio Mike Wilson Mark Noakes Boo and the Boyles Jake Parker Steve Chrandell Tyler Weston Scott Sandstrom Globalization Group Cyndi Greening Louise Lampton Alex Lundquist Doug Stewart www.theaerodrome.com Orangewood Recording KBYU Al Williams LDS MPS CMG Studio
www.derostwind.com
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